Elise's suggestion, Words Are Pictures, led me to some great finds, including You Are Beautiful, My Name Is Melvin and There Is, the portfolio of Sean Freeman. All of these are worth a look. There is also some beautiful work being offered through the SOMA Gallery.
Alphabet: An Exhibition of Hand-Drawn Lettering and Experimental Typography is a traveling exhibition that looks at 26 letters as more than just shapes for conveying information. I am particularly fond of Elaine Lustig Cohen's alphabet. You can see other examples of her typography at the Julie Saul Gallery.
Sadly, a large number of web sites are going offline these days. Lounge 72 is the most recent victim. After six years, the web site is leaving the fertile ground of design to other portal sites, like News Today, which now operates solely under the QBN moniker. Pixel Surgeon also left a gap in the world wide web recently. Things, inevitably, come to an end. As I am fond of saying, the only thing that you can truly count on in life is change. Yet, I still wonder where good sites go when they die.
Well, for those of us who are familiar with the web, we know that an almost endless archive continues to live in the annals of the server network that comprises the Internet. For example, to see comical examples of this web site's design, you can visit the Internet Archive. Fortunately, the archive is not complete, many of the images are missing. You can also visit web site's that should have a place in history, like the bright and shiny Enron web site from 2002.
For many, designers included, the web might seem like a fleeting medium, here today and gone tomorrow. However, the web offers us more options for maintaining examples of design in perpetuity than one might think. From the existence of dense, although incomplete, archives to screen captures and aggregation portals. In many cases, the web has a deeper memory than most humans. What is the shelf life of a print piece, really?
I love that the web is a constantly evolving entity, and although its history might not be as rich as the history of print, an issue that Armin touched on in Landmark Web Sites, Where Art Thou?. There is a rich design history driving the web, and although it often seems to be a tale of technological advancement; in truth, the tale of print is also a story of technological advancement.
At the very least, we might all benefit from a look at the first Amazon homepage, a classic moment in design.
David Pearson designs beautiful book covers, courtesy of the latest Quipsologies.
I updated my web site this morning with some new work. Normally, I would wait until my critique is complete, but because of the holiday season, I am eager to finish everything early. I also simplified the design of the web site. There was too much space at the top of the site, too much black and too many distractions. I think that the new design is an improvement. More work will be posted in the future, as well as a PDF minibook.
A quick update on Speak Up . . . There are now 19 comments, and they are all excellent. Different opinions and considerations are represented throughout the comments, and, in my opinion, each comment is constructive and thoughtful. I am working on another post that should be completed during the holiday season. It will be longer and is grounded in research. Ah, research.
I wrote a piece for Speak Up titled The Graphic Manipulator. The entry discusses the relationship between design and manipulation. If you have opinions, let them fly. There are already some interesting and thoughtful comments on the topic.
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